Nicolas de Staël *
(St. Petersburg 1914- 1955)
Composition, 1950, signed Staël, signed and dated Staël 50 on the reverse, oil on canvas, 16 x 27 cm, framed
Provenance:
Theodore Schempp, New York
Saidenberg Galleries, New York
Private Collection, New York
C. Juker Collection, Milan
Galleria Centro Steccata, Parma
European Private Collection
Literature:
J. Dubourg and F. de Staël, eds., Nicolas de Staël: Lettres, Catalogue Raisonné des Peintures, Paris 1968, p. 129, no. 209 with ill.
Françoise de Staël, Nicolas de Staël, Catalogue raisonné de l’oeuvre peint, Neuchâtel, 1997, p. 284, no. 245 with ill.
In De Staël, the material deposited within its allotted spaces reveals itself as untamed, restless, exuberant, prone to transcending the dividing lines, or accepting them only under duress, and not without tremors and efforts to overcome them. In the paintings of the Russo-French artist, the geometric grid, the contouring of the bodies resists, but barely, the flanks are corroded, and most often circumvented.
R. Barilli, Fautrier. The artist as demiurge, in “Jean Fautrier e l’Informale in Europa”, 2002
31.05.2017 - 19:00
- Dosažená cena: **
-
EUR 405.600,-
- Odhadní cena:
-
EUR 200.000,- do EUR 300.000,-
Nicolas de Staël *
(St. Petersburg 1914- 1955)
Composition, 1950, signed Staël, signed and dated Staël 50 on the reverse, oil on canvas, 16 x 27 cm, framed
Provenance:
Theodore Schempp, New York
Saidenberg Galleries, New York
Private Collection, New York
C. Juker Collection, Milan
Galleria Centro Steccata, Parma
European Private Collection
Literature:
J. Dubourg and F. de Staël, eds., Nicolas de Staël: Lettres, Catalogue Raisonné des Peintures, Paris 1968, p. 129, no. 209 with ill.
Françoise de Staël, Nicolas de Staël, Catalogue raisonné de l’oeuvre peint, Neuchâtel, 1997, p. 284, no. 245 with ill.
In De Staël, the material deposited within its allotted spaces reveals itself as untamed, restless, exuberant, prone to transcending the dividing lines, or accepting them only under duress, and not without tremors and efforts to overcome them. In the paintings of the Russo-French artist, the geometric grid, the contouring of the bodies resists, but barely, the flanks are corroded, and most often circumvented.
R. Barilli, Fautrier. The artist as demiurge, in “Jean Fautrier e l’Informale in Europa”, 2002
|
Horká linka kupujících
Po-Pá: 10.00 - 17.00
kundendienst@dorotheum.at +43 1 515 60 200 |
| Aukce: | Současné umění I |
| Typ aukce: | Salónní aukce |
| Datum: | 31.05.2017 - 19:00 |
| Místo konání aukce: | Wien | Palais Dorotheum |
| Prohlídka: | 20.05. - 31.05.2017 |
** Kupní cena vč. poplatku kupujícího a DPH
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