Hans Hartung *
(Leipzig 1904–1989 Antibes)
1963-K-14, 1963, signed and dated Hartung 63, titled on the reverse, acrylic on canvas, 65 x 92 cm, framed
The work is registered in the Fondation Hans Hartung et Anna-Eva Bergmann, Antibes, and will be included in the catalogue raisonné of Hans Hartung’s Work, currently being prepared by the Fondation Hartung-Bergmann
Provenance:
Michele Sapone, Nice 1963 (inscribed M. Sapone on the reverse)
Gino Lizzola Collection, Milan, 1963, no. 253 (stamp on the reverse)
European Private Collection
[...] one of the best representatives of the art of this period, who as early as 1921-22 had turned towards abstraction. [...] Even if Hartung displays different styles which alternate the predominance of calligraphy and painting, he remains faithful to an absolute detachment not only from implicit figurality, but also from that limbo of shapeless chromaticism, seen in the work of many Tachistes, in which one can detect the emergence of ambiguous figural forms.
G. Dorfles, Ultime tendenze nell’arte d’oggi, Milan 2009
31.05.2017 - 19:00
- Dosažená cena: **
-
EUR 100.000,-
- Odhadní cena:
-
EUR 50.000,- do EUR 70.000,-
Hans Hartung *
(Leipzig 1904–1989 Antibes)
1963-K-14, 1963, signed and dated Hartung 63, titled on the reverse, acrylic on canvas, 65 x 92 cm, framed
The work is registered in the Fondation Hans Hartung et Anna-Eva Bergmann, Antibes, and will be included in the catalogue raisonné of Hans Hartung’s Work, currently being prepared by the Fondation Hartung-Bergmann
Provenance:
Michele Sapone, Nice 1963 (inscribed M. Sapone on the reverse)
Gino Lizzola Collection, Milan, 1963, no. 253 (stamp on the reverse)
European Private Collection
[...] one of the best representatives of the art of this period, who as early as 1921-22 had turned towards abstraction. [...] Even if Hartung displays different styles which alternate the predominance of calligraphy and painting, he remains faithful to an absolute detachment not only from implicit figurality, but also from that limbo of shapeless chromaticism, seen in the work of many Tachistes, in which one can detect the emergence of ambiguous figural forms.
G. Dorfles, Ultime tendenze nell’arte d’oggi, Milan 2009
|
Horká linka kupujících
Po-Pá: 10.00 - 17.00
kundendienst@dorotheum.at +43 1 515 60 200 |
| Aukce: | Současné umění I |
| Typ aukce: | Salónní aukce |
| Datum: | 31.05.2017 - 19:00 |
| Místo konání aukce: | Wien | Palais Dorotheum |
| Prohlídka: | 20.05. - 31.05.2017 |
** Kupní cena vč. poplatku kupujícího a DPH
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