A complete Asmat mask, called ‘jipae’ or ‘jipai’. It consists of plaited parts made of twisted, vegetable rattan cords, sewn together with similar cords. Dyed in red stripes with earth colour. The hood-like head section features a loop before the face. When the mask was used, a typical nose peg of the Asmat, called ‘Bipane’, made of carved bone or shell material, was inserted here. On the back of the ‘hood’ are two more loops on top of each other. In these, tall ornamental feathers are inserted. Attached to the front side of the mask costume, in the middle under the knotted nipples, is plaited male genitalia, protected by a penis sheath, called ‘koteka’, from the upper part of a hornbill’s beak (‘kotekas’ such as the present one were also worn in everyday life among the Asmat). The lower section of the mask is trimmed with a thickly plaited, all-round band, with a short wickerwork apron in two-colour chequered pattern on the front. The lower edge and the shoulders are covered with tufts of red brown leaf fibres of sago palms. These ‘jipae’ full body masks have the following meaning amongst the Asmat: during grand feasts in commemoration of the dead (‘jipae feasts’) a relative or friend of a recently deceased person appears with this mask, embodying the dead. Thus the dead person participates one last time in the ceremonies, rites and banquets of his community. Subsequently he disappears into the world of the dead forever, and the masked dancer from now onwards acquires all the rights and duties towards the deceased person’s family, children and the community. This complete ‘jipae mask’ is a rare, extremely interesting object for the history of culture, in good condition, with usage patina (see the openings for the neck and the armpits) and only minor age damage (some threads torn at the bottom). First third of the 20th century or slightly later; H: c. 145 cm (with hangings); W: 44 cm. (ME)