(born in Padua in 1937)
Dinamica Circolare, 1961–1968, signed, dated, titled and with artist stamp on the reverse, engraved a. biasi on the reverse, PVC, diameter 61 cm, framed

This work is accompanied by a certificate of authenticity signed by the artist

Provenance:
Galleria La Chiocciola, Padua
Meeting Art, Vercelli, 28 March 2015, lot 426
European Private Collection

Exhibited:
Saint Petersburg, Alberto Biasi. Testimonanze del cinetismo e dell’arte programmata in Italia e in Russia, Hermitage Museum, 25 May -25 July 2006, exh. cat. with ill. no. 7
Prague, Movement as Message, National Gallery, 2008, exh. cat. p. 133 with ill.
Genoa, Alberto Biasi. Kaleidoscope. Dalle Trame agli Assemblaggi, Palazzo Reale, 2009
Sacile, Alberto Biasi allo Studio GR, Studio d’Arte GR, 3 April – 12 June 2011, exh. cat. p. 38-39 with ill.
Ljubljana, Alberto Biasi. Gli anni ’60. Gli anni 2000, National Museum of Slovenia, 2011, exh. cat. p. 49 with ill.
Motow, Alberto Biasi, Miroslaw Sutej Foundation, 2013
Ravenna, Alberto Biasi a San Vitale. La luce e gli ambienti della storia, Museo Nazionale di Ravenna and Mausoleo di Teodorico, 2014, exh. cat. with ill.

„In my works there is no such thing as the representation of movement as in Futurism. Nor is there any real movement as in the so-called kinetic art. Any movement or change in my works is the product of the viewer’s mind. Much unlike what I used to think, this phenomenon can be explained only in part with gestalt psychology. This is because the viewer imagines what is missing – which is, above all, movement. However, he also adds and subtracts other elements to and from the artwork, as if he were an executor of images and my work a mere means to it.“
(Alberto Biasi)