School of Rembrandt Harmensz. van Rijn, late 17th Century
![School of Rembrandt Harmensz. van Rijn, late 17th Century - Obrazy starých mistrů I School of Rembrandt Harmensz. van Rijn, late 17th Century - Obrazy starých mistrů I](/fileadmin/lot-images/38A221109/normal/school-of-rembrandt-harmensz-van-rijn-late-17th-century-8280566.jpg)
A young man wearing a cap with feathers,
oil on panel, 68 x 54.5 cm, framed
The present picture depicting a youth in a feathered cap, turned three-quarters, is a tronie in keeping with the rich artistic traditions of the Dutch Golden Age. Perhaps most famously, Rembrandt van Rijn and his many pupils, would use and re-use such character studies in larger history compositions. The dress of the present sitter is not contemporary with the mid-seventeenth century but a rather historicist costume that is known as Burgundian, hailing from before the days of the Dutch Republic. This device was not only used by the Amsterdam School, but also employed by Haarlem School painters, such Frans Hals for vanitas treatments such as the Young Man with a Skull conserved in the National Gallery, London. However, the authorship of the present panel has long remained an open art historical question, with recent scholarship drawing parallels between it and the output of the Haarlem workshop of Salomon de Bray (1597–1664).
Expert: Damian Brenninkmeyer
Damian Brenninkmeyer
+43 1 515 60 403
oldmasters@dorotheum.com
09.11.2022 - 17:00
- Dosažená cena: **
-
EUR 25.600,-
- Odhadní cena:
-
EUR 20.000,- do EUR 30.000,-
School of Rembrandt Harmensz. van Rijn, late 17th Century
A young man wearing a cap with feathers,
oil on panel, 68 x 54.5 cm, framed
The present picture depicting a youth in a feathered cap, turned three-quarters, is a tronie in keeping with the rich artistic traditions of the Dutch Golden Age. Perhaps most famously, Rembrandt van Rijn and his many pupils, would use and re-use such character studies in larger history compositions. The dress of the present sitter is not contemporary with the mid-seventeenth century but a rather historicist costume that is known as Burgundian, hailing from before the days of the Dutch Republic. This device was not only used by the Amsterdam School, but also employed by Haarlem School painters, such Frans Hals for vanitas treatments such as the Young Man with a Skull conserved in the National Gallery, London. However, the authorship of the present panel has long remained an open art historical question, with recent scholarship drawing parallels between it and the output of the Haarlem workshop of Salomon de Bray (1597–1664).
Expert: Damian Brenninkmeyer
Damian Brenninkmeyer
+43 1 515 60 403
oldmasters@dorotheum.com
Horká linka kupujících
Po-Pá: 10.00 - 17.00
old.masters@dorotheum.at +43 1 515 60 403 |
Aukce: | Obrazy starých mistrů I |
Typ aukce: | Sálová aukce s Live bidding |
Datum: | 09.11.2022 - 17:00 |
Místo konání aukce: | Wien | Palais Dorotheum |
Prohlídka: | 22.10. - 09.11.2022 |
** Kupní cena vč. poplatku kupujícího a DPH
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