Andy Warhol
(Pittsburgh 1928–1987 New York)
Saint Apollonia, 1984, each signed Andy Warhol, four colored screen prints on Essex offset kid finish paper, 76.6 x 55.9 cm, each no. 232 from the edition of 250 examples, print Rupert Jasen Smith, New York, ed. Frank Braun, Düsseldorf, each framed (4)
Provenance:
Private collection, Germany
Literature:
Freyda Feldman, Jörg Schellmann and Claudia Defendi, Andy Warhol Prints, A Catalogue Raisonné 1962 – 1987, New York 2015, II.330–333, p.141
In the early 1980s, Warhol was increasingly inspired by Renaissance artists: his Saint Apollonia portofolio is a perfect example. It is based on a panel painting attributed to Piero della Francesca. The 15th-century panel is now in the National Gallery of Art in Washington. Saint Apollonia, depicted in the work, is considered the patron saint of dentistry and she carries a pair of pliers with a tooth, in both the panel painting and in Warhol’s version. Compared to the panel by Piero della Francesca’s workshop, there is very little cropping in Warhol’s prints, which also preserve the craquelé of the original painting. This gives them an optical texture that is true to the original.
Expert: Dr. Petra Maria Schäpers
Dr. Petra Maria Schäpers
+49 211 2107747
petra.schaepers@dorotheum.de
01.12.2022 - 18:21
- Odhadní cena:
-
EUR 35.000,- do EUR 45.000,-
- Vyvolávací cena:
-
EUR 35.000,-
Andy Warhol
(Pittsburgh 1928–1987 New York)
Saint Apollonia, 1984, each signed Andy Warhol, four colored screen prints on Essex offset kid finish paper, 76.6 x 55.9 cm, each no. 232 from the edition of 250 examples, print Rupert Jasen Smith, New York, ed. Frank Braun, Düsseldorf, each framed (4)
Provenance:
Private collection, Germany
Literature:
Freyda Feldman, Jörg Schellmann and Claudia Defendi, Andy Warhol Prints, A Catalogue Raisonné 1962 – 1987, New York 2015, II.330–333, p.141
In the early 1980s, Warhol was increasingly inspired by Renaissance artists: his Saint Apollonia portofolio is a perfect example. It is based on a panel painting attributed to Piero della Francesca. The 15th-century panel is now in the National Gallery of Art in Washington. Saint Apollonia, depicted in the work, is considered the patron saint of dentistry and she carries a pair of pliers with a tooth, in both the panel painting and in Warhol’s version. Compared to the panel by Piero della Francesca’s workshop, there is very little cropping in Warhol’s prints, which also preserve the craquelé of the original painting. This gives them an optical texture that is true to the original.
Expert: Dr. Petra Maria Schäpers
Dr. Petra Maria Schäpers
+49 211 2107747
petra.schaepers@dorotheum.de
|
Horká linka kupujících
Po-Pá: 10.00 - 17.00
kundendienst@dorotheum.at +43 1 515 60 200 |
| Aukce: | Současné umění II |
| Typ aukce: | Online aukce |
| Datum: | 01.12.2022 - 18:21 |
| Místo konání aukce: | Wien | Palais Dorotheum |
| Prohlídka: | 22.11. - 01.12.2022 |
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