Mario Deluigi *
(Treviso 1901–1978 Venice)
Untitled (Grattage), 1959, signed and dated; signed and dated on the reverse, oil and grattage on wood, 100 x 50 cm, framed
This work is accompanied by a photo certificate of authenticity signed by Caterina Deluigi
This work is registered in the online Catalogo Ragionato delle Opere di Mario Deluigi under no. 0731 catalogogenerale. mario deluigi. it/? inventory id=243
Provenance:
Falsetti Arte, Prato (stamp on the reverse)
Studio Gariboldi, Milan (label on the reverse)
European Private Collection
Exhibited:
Milan, Mario Deluigi, Studio Gariboldi, January-February 2017
"... Then I slowly eliminated everything that could be considered physiological figuration and I realised that I had to look for light, that is, structural value. I had to construct light, but not as Tobey would do, who basically continues a kind of illustrative verigraphy. I realised that by destroying the sign I was removing everything that could be significant and in doing so light would appear. I set out on this road which led me to my current painting'.
From "7 giorni Veneto" 1975 maggio, "incontro con Mario Deluigi il pittore della luce"
Expert: Alessandro Rizzi
Alessandro Rizzi
+39-02-303 52 41
alessandro.rizzi@dorotheum.it
24.05.2023 - 18:00
- Odhadní cena:
-
EUR 20.000,- do EUR 30.000,-
Mario Deluigi *
(Treviso 1901–1978 Venice)
Untitled (Grattage), 1959, signed and dated; signed and dated on the reverse, oil and grattage on wood, 100 x 50 cm, framed
This work is accompanied by a photo certificate of authenticity signed by Caterina Deluigi
This work is registered in the online Catalogo Ragionato delle Opere di Mario Deluigi under no. 0731 catalogogenerale. mario deluigi. it/? inventory id=243
Provenance:
Falsetti Arte, Prato (stamp on the reverse)
Studio Gariboldi, Milan (label on the reverse)
European Private Collection
Exhibited:
Milan, Mario Deluigi, Studio Gariboldi, January-February 2017
"... Then I slowly eliminated everything that could be considered physiological figuration and I realised that I had to look for light, that is, structural value. I had to construct light, but not as Tobey would do, who basically continues a kind of illustrative verigraphy. I realised that by destroying the sign I was removing everything that could be significant and in doing so light would appear. I set out on this road which led me to my current painting'.
From "7 giorni Veneto" 1975 maggio, "incontro con Mario Deluigi il pittore della luce"
Expert: Alessandro Rizzi
Alessandro Rizzi
+39-02-303 52 41
alessandro.rizzi@dorotheum.it
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Po-Pá: 10.00 - 17.00
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| Aukce: | Současné umění I |
| Typ aukce: | Sálová aukce s Live bidding |
| Datum: | 24.05.2023 - 18:00 |
| Místo konání aukce: | Wien | Palais Dorotheum |
| Prohlídka: | 13.05. - 24.05.2023 |
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