Elaine Sturtevant
![](https://www.dorotheum.com/typo3temp/assets/_processed_/4/6/csm_copyright-dummy_en_50c8912c05.webp)
(Ohio 1930–2014 Paris)
Haring Untitled January 1982, 1986, signed and titled on the reverse, acrylic on canvas, 60.5 x 60.5 cm, framed
Provenance:
Perry Rubenstein Gallery (label on the reverse)
Sale Christie’s New York: Tuesday, September 9, 2008, lot 61
European Private Collection
Literature:
L. Maculan (ed.), Sturtevant Catalogue Raisonné 1964–2004, Museum für Moderne Kunst, Frankfurt am Main, Hatje Cantz Verlag, Ostfildern-Ruit, 2004, p. 152, no. 381 with ill.
“In their radicality and totality, Sturtevant’s individual pieces as well as her concepts for her exhibitions were – and still are – time bombs for the traditional concepts of the work of art: Her oeuvre is characterized by a specific form of resistance against the respective context which determines what is still art and what isn’t. For the sake of autonomy, art must liberate itself from its own most stubborn conventions”.
Udo Kittelmann – Mario Kramer (texts), in Sturtevant, The Brutal Truth, Hatje Cantz Verlag, Frankfurt am Main, 2004, p. 18
Expert: Alessandro Rizzi
Alessandro Rizzi
+39-02-303 52 41
alessandro.rizzi@dorotheum.it
24.05.2023 - 18:00
- Dosažená cena: **
-
EUR 122.200,-
- Odhadní cena:
-
EUR 80.000,- do EUR 120.000,-
Elaine Sturtevant
(Ohio 1930–2014 Paris)
Haring Untitled January 1982, 1986, signed and titled on the reverse, acrylic on canvas, 60.5 x 60.5 cm, framed
Provenance:
Perry Rubenstein Gallery (label on the reverse)
Sale Christie’s New York: Tuesday, September 9, 2008, lot 61
European Private Collection
Literature:
L. Maculan (ed.), Sturtevant Catalogue Raisonné 1964–2004, Museum für Moderne Kunst, Frankfurt am Main, Hatje Cantz Verlag, Ostfildern-Ruit, 2004, p. 152, no. 381 with ill.
“In their radicality and totality, Sturtevant’s individual pieces as well as her concepts for her exhibitions were – and still are – time bombs for the traditional concepts of the work of art: Her oeuvre is characterized by a specific form of resistance against the respective context which determines what is still art and what isn’t. For the sake of autonomy, art must liberate itself from its own most stubborn conventions”.
Udo Kittelmann – Mario Kramer (texts), in Sturtevant, The Brutal Truth, Hatje Cantz Verlag, Frankfurt am Main, 2004, p. 18
Expert: Alessandro Rizzi
Alessandro Rizzi
+39-02-303 52 41
alessandro.rizzi@dorotheum.it
Horká linka kupujících
Po-Pá: 10.00 - 17.00
kundendienst@dorotheum.at +43 1 515 60 200 |
Aukce: | Současné umění I |
Typ aukce: | Sálová aukce s Live bidding |
Datum: | 24.05.2023 - 18:00 |
Místo konání aukce: | Wien | Palais Dorotheum |
Prohlídka: | 13.05. - 24.05.2023 |
** Kupní cena vč. poplatku kupujícího a DPH
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