(Munich 1923–1982)
‘Etude No. 3 - Champs Dynamiques’, 1962/1963, titled, dated, monogrammed 62/63 frk. on the reverse, acrylic on Fibreboard, 39,4 x 41 x 4.5 cm, framed, (PP)

The work will be included in the Catalog raisonné of works by Günter Fruhtrunk, currently being compiled by Dr. Silke Reiter, Günter Fruhtrunk Gesellschaft, Munich.

Provenance:
Kunstgalerij De Vuyst, Lokeren (wax seal on the reverse)
Private Collection, Europe
Lempertz, 23 May 2012, Lot 553
Private Collection, USA

Exhibited:
Travelling exhibition: Buenos Aires, MACBA - Museo de Arte Contemporaneo Buenos Aires, Abstracción geométrica desde 1950 - Intercambio Global/Geometric Abstraction Since 1950 - A global exchange, 1 Septemper 2012 – 31 March 2013, exh.-cat., page 102–103, with ill. / Rom, MACRO - Museo d’Arte Contemporanea Roma, Global Exchange: Astrazione geometrica dal 1950, 7 May - 14 September 2014 / Miami, The Patricia & Phillip Frost Art Museum, A Global Exchange: Geometric Abstraction Since 1950, 8 November 2014 – 4 January 2015 (Curator: Joe Houston)

[…] Fruhtrunk conceived of paintings as non-representational depictions of ‘moved and moving thinking’ that would open up to the viewer a highly active phase of performance in terms of the energy of the colors and of the energy in the very act of seeing. He wanted to make his viewers aware of seeing as a personal time-related experience, independent of rational measurement of time associated with the clock. […]
(http://art.daimler.com, 13.10.2015)