(Vienna 1894-1977 New York) ‘Figuren in Landschaft’ [Figures in a landscape], 1923, on the reverse estate stamp, oil on canvas on hardboard, 53.5 x 37 cm, framed, (K)

Karl Pallauf, Josef Floch, Leben und Werk 1894-1977, Österreichischer Kunst- und Kulturverlag, 2000, page 126, no. 70, with ill.

Exhibited and reproduced in the catalogue: Kunsthandel Martin Suppan, Josef Floch, Galerie im Palais Coburg, Vienna 1988, no. 3

Provenance: From an Austrian Collection

... Although Floch enjoyed some success early in his career in Vienna, his wish to leave his homeland became ever greater in the years following the First World War. In his diary, which is published here for the first time, Floch noted, full of bitterness, ‘Vienna is the city of music, painting takes second place.’ In 1918 Floch travelled to Munich, where he saw pictures by Paul Cézanne, Vincent van Gogh and Hans von Marées for the first time at the Pinakotek, which left a deep impression on the young artist - and subsequently on his understanding of art. From then on, he was fascinated by the art of others and restlessly undertook journeys to the Netherlands, Dalmatia, Italy, and above all to Trieste, where relatives of his lived; in 1923 he travelled to Palestine for a period of six months. Around that time, Floch made important contacts with fellow artists and collectors in Vienna, particularly the art critics Erika and Hans Tietze. Although Floch’s pictures were sufficiently good to be exhibited at the Viennese Secession, he joined the conservative artist society known as Hagenbund in 1919, becoming one of their best-known members until the society was dissolved in 1938...
Karl Pallauf, excerpt from foreword, op. cit.