Nach/After Anthonis van Dyck
(1599-1641)
Portrait of Antonius Triest (1576-1657), bishop of Bruges and Ghent, red and black chalk on laid paper, 18,3 x 12,9 cm, fixed to support, mounted, unframed, (Sch)
Provenance:
Collection Franz Xaver Pieler (Vienna 1876-1952 Klosterneuburg);
his heirs, Private collection, Austria.
After the lost portrait painting of Antonius Triest by Anthonis van Dyck (comp. S. J. Barnes, N. de Porter, O. Millar und H. Vey, Van Dyck - A Complete Catalogue of the Paintings, p.413, No. III. A26). Antonius Triest was a friend and patron of Van Dyck and also supported Flemish painters, such as Peter Paul Rubens and Abraham Teniers. He commissioned the painting by Rubens "Conversion of Saint Bavo " for the high altar in the Cathedral of Ghent. Van Dyck’s painting became known through numerous painted copies and was also engraved by Pieter de Jode around 1630/40 for the series "Icones Principum Virorum" (compare New Hollstein, Dutch and Flemish etchings, engravings and woodcuts, 1450-1700, 45. V.)
Specialist: Mag. Astrid-Christina Schierz
Mag. Astrid-Christina Schierz
+43-1-515 60-546
astrid.schierz@dorotheum.at
04.10.2023 - 15:08
- Realized price: **
-
EUR 3,120.-
- Estimate:
-
EUR 1,000.- to EUR 1,500.-
- Starting bid:
-
EUR 1,000.-
Nach/After Anthonis van Dyck
(1599-1641)
Portrait of Antonius Triest (1576-1657), bishop of Bruges and Ghent, red and black chalk on laid paper, 18,3 x 12,9 cm, fixed to support, mounted, unframed, (Sch)
Provenance:
Collection Franz Xaver Pieler (Vienna 1876-1952 Klosterneuburg);
his heirs, Private collection, Austria.
After the lost portrait painting of Antonius Triest by Anthonis van Dyck (comp. S. J. Barnes, N. de Porter, O. Millar und H. Vey, Van Dyck - A Complete Catalogue of the Paintings, p.413, No. III. A26). Antonius Triest was a friend and patron of Van Dyck and also supported Flemish painters, such as Peter Paul Rubens and Abraham Teniers. He commissioned the painting by Rubens "Conversion of Saint Bavo " for the high altar in the Cathedral of Ghent. Van Dyck’s painting became known through numerous painted copies and was also engraved by Pieter de Jode around 1630/40 for the series "Icones Principum Virorum" (compare New Hollstein, Dutch and Flemish etchings, engravings and woodcuts, 1450-1700, 45. V.)
Specialist: Mag. Astrid-Christina Schierz
Mag. Astrid-Christina Schierz
+43-1-515 60-546
astrid.schierz@dorotheum.at
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| Auction: | Master Drawings and Prints until 1900 |
| Auction type: | Online auction |
| Date: | 04.10.2023 - 15:08 |
| Location: | Vienna | Palais Dorotheum |
| Exhibition: | 27.09. - 04.10.2023 |
** Purchase price incl. buyer's premium and VAT
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