A Kothgasser beaker,
glass, colourless, cambered sides with wide and fine gold edges, golden arch border, silver yellow stained edge of lip, sepia and gold painted depiction and inscription 'Wunderthätiges Gnadenbild Maria Zell in Steyermarkt' on base of clouds, behind that golden and silver-yellow aureole, underneath gold edges and ivy garland painted in gold, base with sixteen-point silver-yellow star to base, height 10.5 cm, golden lettering scuffed, Anton Kothgasser, Vienna around 1820 (Ru)
Anton Kothgasser, Vienna, 1769–1851, porcelain and glass painter, from 1781 at the Kunstakademie Vienna, studied drawing of figures with the German painter Heinrich Füger, employed at the Viennese Porzellanmanufaktur from 1784 to 1840, as its most significant design painter, painter no. 96. From 1811, he dedicated his attention to glass painting next to and independently of his work for the Manufaktur. He was introduced to glass painting by Gottlob Samuel Mohn, who was twenty years his junior and moved to Vienna in 1811. He received numerous rewards, including a.o. on September 6, 1811 and on May 20, 1816 the permission to "work on his glass painting at home for several months”. He initially worked on sheet glass painting, but soon preferred hollow glass painting using transparent enamel paint (transparent painting). This technique had been invented by Samuel Mohn, who focused on it in particular during the years 1815–1830.
Esperta: Ursula Rohringer
Ursula Rohringer
+43-1-515 60-382
ursula.rohringer@dorotheum.at
19.10.2016 - 15:00
- Stima:
-
EUR 3.400,- a EUR 4.000,-
A Kothgasser beaker,
glass, colourless, cambered sides with wide and fine gold edges, golden arch border, silver yellow stained edge of lip, sepia and gold painted depiction and inscription 'Wunderthätiges Gnadenbild Maria Zell in Steyermarkt' on base of clouds, behind that golden and silver-yellow aureole, underneath gold edges and ivy garland painted in gold, base with sixteen-point silver-yellow star to base, height 10.5 cm, golden lettering scuffed, Anton Kothgasser, Vienna around 1820 (Ru)
Anton Kothgasser, Vienna, 1769–1851, porcelain and glass painter, from 1781 at the Kunstakademie Vienna, studied drawing of figures with the German painter Heinrich Füger, employed at the Viennese Porzellanmanufaktur from 1784 to 1840, as its most significant design painter, painter no. 96. From 1811, he dedicated his attention to glass painting next to and independently of his work for the Manufaktur. He was introduced to glass painting by Gottlob Samuel Mohn, who was twenty years his junior and moved to Vienna in 1811. He received numerous rewards, including a.o. on September 6, 1811 and on May 20, 1816 the permission to "work on his glass painting at home for several months”. He initially worked on sheet glass painting, but soon preferred hollow glass painting using transparent enamel paint (transparent painting). This technique had been invented by Samuel Mohn, who focused on it in particular during the years 1815–1830.
Esperta: Ursula Rohringer
Ursula Rohringer
+43-1-515 60-382
ursula.rohringer@dorotheum.at
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Hotline dell'acquirente
lun-ven: 09.00 - 18.00
kundendienst@dorotheum.at +43 1 515 60 200 |
| Asta: | Oggetti d'arte (mobili, sculture, vetri, porcellane) |
| Tipo d'asta: | Asta in sala |
| Data: | 19.10.2016 - 15:00 |
| Luogo dell'asta: | Wien | Palais Dorotheum |
| Esposizione: | 08.10. - 19.10.2016 |