Lotto No. 139


Ashanti, Ghana: an Ashanti stool in its typical form.


Ashanti, Ghana: an Ashanti stool in its typical form. - Tribal Art - Africa

A stool, carved from a single piece of light-coloured wood. In the characteristic Ashanti form: with a wide, rectangular and curved seat, on a rectangular base plate. In between are four angular side supports with spiked decorations on the outside. The solid rectangular central support is embellished by a perforating diamond carved in its middle. A few linear geometric reliefs decorate the entire piece. All five supports have previous breaks that have been partly glued and partly closed with brass cuffs as original repairs. Two small pieces are broken off the edge of the seat. Overall, still a piece with good shiny patina as a result of very long use.
It was the Ashanti custom for every man and woman to have their own stool. Alongside their pragmatic use, the stools also have a spiritual meaning. They served as the seat of the owner’s soul. When the stool was not used, it was leaned aslant against a wall in order to prevent other ‘souls’ passing by from sitting on it. Should a high dignitary pass away, they stool would be dyed black. This piece of furniture thus became a sacred object of recollection, of remembering one’s ancestors. It would hence be venerated, sacrificed and no one was allowed to sit on it (see cat. no. 140). Height: 24 cm (seat, at centre), 36 cm (side). First half of the 20th century. (ME)

Provenance:
Austrian Private Collection.

Lit.:
'Afrikanische Sitze' by Sandro Bocola, ill. 35, 36.

Esperto: Prof. Erwin Melchardt Prof. Erwin Melchardt
+43-1-515 60-465

erwin.melchardt@dorotheum.at

09.06.2016 - 17:00

Prezzo realizzato: **
EUR 688,-
Prezzo di partenza:
EUR 550,-

Ashanti, Ghana: an Ashanti stool in its typical form.


A stool, carved from a single piece of light-coloured wood. In the characteristic Ashanti form: with a wide, rectangular and curved seat, on a rectangular base plate. In between are four angular side supports with spiked decorations on the outside. The solid rectangular central support is embellished by a perforating diamond carved in its middle. A few linear geometric reliefs decorate the entire piece. All five supports have previous breaks that have been partly glued and partly closed with brass cuffs as original repairs. Two small pieces are broken off the edge of the seat. Overall, still a piece with good shiny patina as a result of very long use.
It was the Ashanti custom for every man and woman to have their own stool. Alongside their pragmatic use, the stools also have a spiritual meaning. They served as the seat of the owner’s soul. When the stool was not used, it was leaned aslant against a wall in order to prevent other ‘souls’ passing by from sitting on it. Should a high dignitary pass away, they stool would be dyed black. This piece of furniture thus became a sacred object of recollection, of remembering one’s ancestors. It would hence be venerated, sacrificed and no one was allowed to sit on it (see cat. no. 140). Height: 24 cm (seat, at centre), 36 cm (side). First half of the 20th century. (ME)

Provenance:
Austrian Private Collection.

Lit.:
'Afrikanische Sitze' by Sandro Bocola, ill. 35, 36.

Esperto: Prof. Erwin Melchardt Prof. Erwin Melchardt
+43-1-515 60-465

erwin.melchardt@dorotheum.at


Hotline dell'acquirente lun-ven: 10.00 - 17.00
kundendienst@dorotheum.at

+43 1 515 60 200
Asta: Tribal Art - Africa
Tipo d'asta: Asta in sala
Data: 09.06.2016 - 17:00
Luogo dell'asta: Wien | Palais Dorotheum
Esposizione: 04.06. - 09.06.2016


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