“Corona-SCHNELLTESTGenerator”, Udo Breitenbach
2020, object trouvé by object artist Udo Breitenbach. Diverse materials. Dimensions: height c. 36 cm (MHA)
The Aschaffenburg-based object artist Udo Breitenbach works with unusual found objects and uses them in a new context. ‘Speaking objects’ from which he reads history and stories, and which he interprets. The results are Dadaesque collages, assemblages or ready-mades. Dadaists opposed the madness of the First World War with ‘the absurd’ - ANTI ART as a creative act of despair. Udo Breitenbach sees himself as a post-Dadaist, who resorts to the language of Dadaism, whilst also dealing with the issues of our time. The present object deals with the pandemic and its effects in a post-Dadaist manner. You don’t know what real DADA tastes like because you use a DADA filter “art”. It is the only one that always delivers a meaningless din, is easy and thorough to clean while being easy to handle, uses the DADA completely and saves 30-40 percent DADA” (Udo Breitenbach, 2020). This is how Post-Dadaist Udo Breitenbach interprets historical Dadaism in one of his works.
Exhibited:
Udo Breitenbach: “CoronaDADA” Fenstergalerie exhibition on the on the occasion of the Aschaffenburg Kulturtage, 28 June - 11 July 2021, Buchhandlung Diekmann, Aschaffenburg.
Esperto: Mathias Harnisch, MA
Mathias Harnisch, MA
+43-1-515 60-242
Mathias.Harnisch@dorotheum.at
06.10.2021 - 16:34
- Stima:
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EUR 1.300,- a EUR 2.000,-
“Corona-SCHNELLTESTGenerator”, Udo Breitenbach
2020, object trouvé by object artist Udo Breitenbach. Diverse materials. Dimensions: height c. 36 cm (MHA)
The Aschaffenburg-based object artist Udo Breitenbach works with unusual found objects and uses them in a new context. ‘Speaking objects’ from which he reads history and stories, and which he interprets. The results are Dadaesque collages, assemblages or ready-mades. Dadaists opposed the madness of the First World War with ‘the absurd’ - ANTI ART as a creative act of despair. Udo Breitenbach sees himself as a post-Dadaist, who resorts to the language of Dadaism, whilst also dealing with the issues of our time. The present object deals with the pandemic and its effects in a post-Dadaist manner. You don’t know what real DADA tastes like because you use a DADA filter “art”. It is the only one that always delivers a meaningless din, is easy and thorough to clean while being easy to handle, uses the DADA completely and saves 30-40 percent DADA” (Udo Breitenbach, 2020). This is how Post-Dadaist Udo Breitenbach interprets historical Dadaism in one of his works.
Exhibited:
Udo Breitenbach: “CoronaDADA” Fenstergalerie exhibition on the on the occasion of the Aschaffenburg Kulturtage, 28 June - 11 July 2021, Buchhandlung Diekmann, Aschaffenburg.
Esperto: Mathias Harnisch, MA
Mathias Harnisch, MA
+43-1-515 60-242
Mathias.Harnisch@dorotheum.at
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| Asta: | Design |
| Tipo d'asta: | Asta online |
| Data: | 06.10.2021 - 16:34 |
| Luogo dell'asta: | Wien | Palais Dorotheum |
| Esposizione: | 01.10. - 06.10.2021 |