Sienese School, 17th Century
Erminia finds the wounded Tancred,
oil on canvas, 134 x 186 cm, framed
Provenance:
Private European collection, until 1979;
where acquired by the present owner
The present composition is an episode from Torquato Tasso’s Gerusalemme Liberata (Canto XIX) and is represented with a freedom of interpretation. The work has a naturalistic realism and shows Erminia caring for Tancredi, wounded after his duel with Argante, whose lifeless body lies on the right. The oriental figure waring a turban, leaning out from the left side, is Vafrino and this figure can be compared to Guercino’s painting of the same subject in the Galleria Doria Pamphilij, Rome (inv. no. FC 459).
The dynamic monumentality of the composition, the choice of colours, such as indigo, together the fluid brushstrokes, suggest that this painting may be Tuscan, possibly painted in Siena and Pisa by, an as yet unidentified, artist influenced by Niccolò Tornioli (1598–1651) and Orazio Riminaldi (1593–1631) and where this literary work was popular subject for artists of the period (see P. Betti, La fortuna della gerusalemme Liberata nella pittura del Seicento e del Settecento a Lucca, in: Rivista di archeologia, storia, costume, 41, 2013, pp. 25-80).
Esperto: Mark MacDonnell
Mark MacDonnell
+43 1 515 60 403
old.masters@dorotheum.com
10.11.2021 - 16:00
- Stima:
-
EUR 40.000,- a EUR 60.000,-
Sienese School, 17th Century
Erminia finds the wounded Tancred,
oil on canvas, 134 x 186 cm, framed
Provenance:
Private European collection, until 1979;
where acquired by the present owner
The present composition is an episode from Torquato Tasso’s Gerusalemme Liberata (Canto XIX) and is represented with a freedom of interpretation. The work has a naturalistic realism and shows Erminia caring for Tancredi, wounded after his duel with Argante, whose lifeless body lies on the right. The oriental figure waring a turban, leaning out from the left side, is Vafrino and this figure can be compared to Guercino’s painting of the same subject in the Galleria Doria Pamphilij, Rome (inv. no. FC 459).
The dynamic monumentality of the composition, the choice of colours, such as indigo, together the fluid brushstrokes, suggest that this painting may be Tuscan, possibly painted in Siena and Pisa by, an as yet unidentified, artist influenced by Niccolò Tornioli (1598–1651) and Orazio Riminaldi (1593–1631) and where this literary work was popular subject for artists of the period (see P. Betti, La fortuna della gerusalemme Liberata nella pittura del Seicento e del Settecento a Lucca, in: Rivista di archeologia, storia, costume, 41, 2013, pp. 25-80).
Esperto: Mark MacDonnell
Mark MacDonnell
+43 1 515 60 403
old.masters@dorotheum.com
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Hotline dell'acquirente
lun-ven: 10.00 - 17.00
old.masters@dorotheum.at +43 1 515 60 403 |
| Asta: | Dipinti antichi |
| Tipo d'asta: | Asta in sala con Live Bidding |
| Data: | 10.11.2021 - 16:00 |
| Luogo dell'asta: | Wien | Palais Dorotheum |
| Esposizione: | 29.10. - 10.11.2021 |