Serge Poliakoff *
(Moscow 1906–1969 Paris)
Orange noir, c. 1955, signed, oil on canvas, 61 x 50 cm, framed
Provenance:
Galerie Bourdon, Paris
Galerie im Erker, St. Gallen
Private Collection, Switzerland
Literature:
Alexis Poliakoff, Serge Poliakoff-Catalogue Raisonné, Vol. II, Munich 2011, p. 79, no. 55–39 with ill.
Poliakoff does not favour any particular colour or line or construction. Colours have no special identity. Their rôle lies in the expression of the overall ensemble. Its value – or the tone added to other tones – defines the true pictorial substance. Poliakoff oscillates between two solutions to the problem of colour values.
Sometimes he uses violent contrasts, such as the use of white in the foreground. At other times, he develops modulation based on a fundamental tone. Often the two techniques coincide; the foreground forming highly stressed opposition, itself profiled on a modulation.
Jean-Paul Aron (Excerpt from lecture), in:
Alexis Poliakoff, Serge Poliakoff, Catalogue raisonné, Volume II, 1955-1958, p. 21
Esperto: Alessandro Rizzi
Alessandro Rizzi
+39-02-303 52 41
alessandro.rizzi@dorotheum.it
01.12.2021 - 18:00
- Prezzo realizzato: **
-
EUR 167.572,-
- Stima:
-
EUR 110.000,- a EUR 160.000,-
Serge Poliakoff *
(Moscow 1906–1969 Paris)
Orange noir, c. 1955, signed, oil on canvas, 61 x 50 cm, framed
Provenance:
Galerie Bourdon, Paris
Galerie im Erker, St. Gallen
Private Collection, Switzerland
Literature:
Alexis Poliakoff, Serge Poliakoff-Catalogue Raisonné, Vol. II, Munich 2011, p. 79, no. 55–39 with ill.
Poliakoff does not favour any particular colour or line or construction. Colours have no special identity. Their rôle lies in the expression of the overall ensemble. Its value – or the tone added to other tones – defines the true pictorial substance. Poliakoff oscillates between two solutions to the problem of colour values.
Sometimes he uses violent contrasts, such as the use of white in the foreground. At other times, he develops modulation based on a fundamental tone. Often the two techniques coincide; the foreground forming highly stressed opposition, itself profiled on a modulation.
Jean-Paul Aron (Excerpt from lecture), in:
Alexis Poliakoff, Serge Poliakoff, Catalogue raisonné, Volume II, 1955-1958, p. 21
Esperto: Alessandro Rizzi
Alessandro Rizzi
+39-02-303 52 41
alessandro.rizzi@dorotheum.it
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| Asta: | Arte contemporanea I |
| Tipo d'asta: | Asta in sala con Live Bidding |
| Data: | 01.12.2021 - 18:00 |
| Luogo dell'asta: | Wien | Palais Dorotheum |
| Esposizione: | Online |
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