Giacomo Balla *
(Turin 1871–1958 Rome)
Linea di velocità + Spazio, c.1914, signed “Futurballa” with the stamp “Pugno di Boccioni”, pencil on paper, 30.5 x 60 cm, framed
This work is registered in the Archivio Gigli, Rome curated by Elena Gigli and is accompanied by a photo certificate of authenticity
Provenance:
Casa Balla, Rome
Mario Pieroni Collection (acquired from the above in 1976)
Galleria Vistamare, Pescara
European Private Collection
Following joining the Futurist group in 1910, Giacomo Balla entered a period of long, inward-looking experimentation into new stylistic motifs and avant-garde content. After several trials that took him close alternately to chrono-photography and Bragaglia’s photodynamics for the purpose of representing movement and dynamism, in 1913 he finally achieved a mature and extremely original version of Futurism in the development of his Compenetrazioni iridescenti (Iridescent Interpenetrations), and, above all, his series of Velocità astratte (Abstract Speed), cycles that confirmed him as one of the most autonomous and original voices of the Futurist movement.
F. Benzi (ed.), Giacomo Balla, Genio Futurista - da Expo Parigi 1925 a Expo Milano 2015, Skira, Milan, 2015, p. 11
Esperto: Alessandro Rizzi
Alessandro Rizzi
+39-02-303 52 41
alessandro.rizzi@dorotheum.it
28.11.2023 - 18:00
- Stima:
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EUR 70.000,- a EUR 100.000,-
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Giacomo Balla *
(Turin 1871–1958 Rome)
Linea di velocità + Spazio, c.1914, signed “Futurballa” with the stamp “Pugno di Boccioni”, pencil on paper, 30.5 x 60 cm, framed
This work is registered in the Archivio Gigli, Rome curated by Elena Gigli and is accompanied by a photo certificate of authenticity
Provenance:
Casa Balla, Rome
Mario Pieroni Collection (acquired from the above in 1976)
Galleria Vistamare, Pescara
European Private Collection
Following joining the Futurist group in 1910, Giacomo Balla entered a period of long, inward-looking experimentation into new stylistic motifs and avant-garde content. After several trials that took him close alternately to chrono-photography and Bragaglia’s photodynamics for the purpose of representing movement and dynamism, in 1913 he finally achieved a mature and extremely original version of Futurism in the development of his Compenetrazioni iridescenti (Iridescent Interpenetrations), and, above all, his series of Velocità astratte (Abstract Speed), cycles that confirmed him as one of the most autonomous and original voices of the Futurist movement.
F. Benzi (ed.), Giacomo Balla, Genio Futurista - da Expo Parigi 1925 a Expo Milano 2015, Skira, Milan, 2015, p. 11
Esperto: Alessandro Rizzi
Alessandro Rizzi
+39-02-303 52 41
alessandro.rizzi@dorotheum.it
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| Asta: | Arte moderna |
| Tipo d'asta: | Asta in sala con Live Bidding |
| Data: | 28.11.2023 - 18:00 |
| Luogo dell'asta: | Wien | Palais Dorotheum |
| Esposizione: | 18.11. - 28.11.2023 |