Salvo *
(Leonforte, Sicily, 1947-2015 Turin)
La Strada, 2005, oil on canvas, 100 x 140 cm
This work is registered in the Archivio Salvo, Turin.
A photo-certificate is available.
Provenance:
European Private Collection
I have always liked the ambivalent appearance of things: the faux primitiveness, the faux naivety, the faux ignorance, the faux stupidity. For I find everything that appears to be intelligent and technical extremely annoying. There is nothing mysterious about something like this anymore.
Salvo
Salvo belongs to the small group of artists who tackled the crisis of historical-linear thinking in the 1970s by radically questioning the issue of authenticity.
His paintings are not “false” (...) but regressively interpreted and infantile re-creations of the image, conscious “fictions” that are deliberately primitive but at the same time conceptual, in which the old de Chirico (from the 1920s and 1930s), the late Picabia, Carrà and Rosai, are combined with a fauve sensibility and Pop.
C. Christov-Bakargiev, Salvo. La Nuova Pesa, in Flash Art, No. 87, Summer 1987
Esperto: Alessandro Rizzi
Alessandro Rizzi
+39-02-303 52 41
alessandro.rizzi@dorotheum.it
14.03.2024 - 13:14
- Prezzo realizzato: **
-
EUR 169.000,-
- Stima:
-
EUR 130.000,- a EUR 180.000,-
- Prezzo di partenza:
-
EUR 130.000,-
Salvo *
(Leonforte, Sicily, 1947-2015 Turin)
La Strada, 2005, oil on canvas, 100 x 140 cm
This work is registered in the Archivio Salvo, Turin.
A photo-certificate is available.
Provenance:
European Private Collection
I have always liked the ambivalent appearance of things: the faux primitiveness, the faux naivety, the faux ignorance, the faux stupidity. For I find everything that appears to be intelligent and technical extremely annoying. There is nothing mysterious about something like this anymore.
Salvo
Salvo belongs to the small group of artists who tackled the crisis of historical-linear thinking in the 1970s by radically questioning the issue of authenticity.
His paintings are not “false” (...) but regressively interpreted and infantile re-creations of the image, conscious “fictions” that are deliberately primitive but at the same time conceptual, in which the old de Chirico (from the 1920s and 1930s), the late Picabia, Carrà and Rosai, are combined with a fauve sensibility and Pop.
C. Christov-Bakargiev, Salvo. La Nuova Pesa, in Flash Art, No. 87, Summer 1987
Esperto: Alessandro Rizzi
Alessandro Rizzi
+39-02-303 52 41
alessandro.rizzi@dorotheum.it
|
Hotline dell'acquirente
lun-ven: 10.00 - 17.00
kundendienst@dorotheum.at +43 1 515 60 200 |
| Asta: | Arte moderna e contemporanea |
| Tipo d'asta: | Asta online |
| Data: | 14.03.2024 - 13:14 |
| Luogo dell'asta: | Wien | Palais Dorotheum |
| Esposizione: | 07.03. - 14.03.2024 |
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