Heinz Mack *
(born in Lollar, Hessen in 1931)
Terra Digitalis, before 1960, relief aluminum plate mounted on panel, 48 x 54 cm
Provenance:
Private Collection North Rhine-Westphalia - acquired directly from the artist
Literature:
Dieter Honisch, Mack - Skulpturen 1953 – 1986, Dusseldorf, Wien, 1986, p. 210, no. 223 with ill., Ouevre-no. 246
"An unexpected opportunity to visualize aesthetic
motion coincidentally occurred when I stepped onto a thin metal foil lying on a sisal carpet.
When I picked up the foil the light was vibrating. Since the carpet was factory-made, the impression remained mechanic and decorative; the motion of the reflected light was entirely dull and unimportant.
My metal reliefs, I prefer calling them light reliefs, formed by just the pressure from my fingers, need light instead of colors to come alive. Owed to the mirror-like polish a slight relief is enough to shake the the light's calmness and to make it vibrate.
The potential beauty of these structures makes for a pure
expression of the beauty of light."
Ulrike Schmidt: Die Bedeutung der Reliefform im Werk von Heinz Mack,
in Robert Fleck (Ed.), Heinz Mack – Reliefs, Munich 2015, S. 10ff.
Expert: Dr. Petra Maria Schäpers
Dr. Petra Maria Schäpers
+49 211 2107747
petra.schaepers@dorotheum.de
23.05.2024 - 18:00
- Dosažená cena: **
-
EUR 130.000,-
- Odhadní cena:
-
EUR 50.000,- do EUR 70.000,-
Heinz Mack *
(born in Lollar, Hessen in 1931)
Terra Digitalis, before 1960, relief aluminum plate mounted on panel, 48 x 54 cm
Provenance:
Private Collection North Rhine-Westphalia - acquired directly from the artist
Literature:
Dieter Honisch, Mack - Skulpturen 1953 – 1986, Dusseldorf, Wien, 1986, p. 210, no. 223 with ill., Ouevre-no. 246
"An unexpected opportunity to visualize aesthetic
motion coincidentally occurred when I stepped onto a thin metal foil lying on a sisal carpet.
When I picked up the foil the light was vibrating. Since the carpet was factory-made, the impression remained mechanic and decorative; the motion of the reflected light was entirely dull and unimportant.
My metal reliefs, I prefer calling them light reliefs, formed by just the pressure from my fingers, need light instead of colors to come alive. Owed to the mirror-like polish a slight relief is enough to shake the the light's calmness and to make it vibrate.
The potential beauty of these structures makes for a pure
expression of the beauty of light."
Ulrike Schmidt: Die Bedeutung der Reliefform im Werk von Heinz Mack,
in Robert Fleck (Ed.), Heinz Mack – Reliefs, Munich 2015, S. 10ff.
Expert: Dr. Petra Maria Schäpers
Dr. Petra Maria Schäpers
+49 211 2107747
petra.schaepers@dorotheum.de
|
Horká linka kupujících
Po-Pá: 10.00 - 17.00
kundendienst@dorotheum.at +43 1 515 60 200 |
| Aukce: | Současné umění I |
| Typ aukce: | Sálová aukce s Live bidding |
| Datum: | 23.05.2024 - 18:00 |
| Místo konání aukce: | Wien | Palais Dorotheum |
| Prohlídka: | 11.05. - 23.05.2024 |
** Kupní cena vč. poplatku kupujícího a DPH
Není již možné podávat příkazy ke koupi přes internet. Aukce se právě připravuje resp. byla již uskutečněna.
